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Daniel Day-Lewis Voices Frustration Over The Method Approach Being Equated to ‘Behaving Like a Lunatic’ – Which Is Precisely the Reason We Love It

It has been a long while since anyone caught a glimpse of Daniel Day-Lewis. After he statement in 2017 that he would cease to pursue acting, prior to the debut of The Phantom Thread, Day-Lewis withdrew from the spotlight. However, during his hiatus, his legend has only grown.

The Mythos Surrounding His Acting Method

Primarily, this legend revolves around his preferred approach to roles. Being an actor who famously disappears into the roles he plays – for instance, while filming Lincoln, reportedly asked Steven Spielberg call him “Mr President” throughout the shoot – the world has become more fascinated with his process. Did he actually sent texts to Sally Field as Abraham Lincoln? Was it accurate that he only eat animals he’d killed for Last of the Mohicans? Did he insist on being spoon-fed while filming My Left Foot?

Madness in their method: has the public fallen out of love with actorly excess?

Currently, Daniel Day-Lewis is back in the limelight, with some hesitation, promoting his latest movie Anemone. He is taking this chance to vocalise his frustration regarding how method acting is viewed. “I’m a little cross these days to hear all kinds of people talking carelessly and saying things like ‘gone full method’, which I think is meant to imply that someone is acting insane in a drastic way,” he stated to a major publication. “People often concentrate on the less important details of the work, and these elements typically include some sort of self-punishment or an experience that imposes upon oneself extreme unease or mental instability. However, in the career of an actor, it has to principally be about the internal work.”

An Industry of Imitators

To be honest, it appears like Day-Lewis has emerged from his retreat only to discover aghast at the world that has developed in his image. If you’re regarded as among the best performers to ever work, and your approach involves striking a prop to the point of injury (for Gangs of New York) or enduring 48 hours in isolation without food or water (for In the Name of the Father), it’s natural that fellow performers will want to fill that vacuum by imitating your hero.

Functionally Italian … The singer-actress in <em>House of Gucci</em>.
Functionally Italian … Lady Gaga in her role for House of Gucci.

In other words, we exist in a landscape populated by imperfect Day-Lewis impersonators who strive only to show the world the sheer amount of effort they put into their roles. At the shallow end of the pool there are performers such as Lady Gaga, who was so desperate to earn an Academy Award with House of Gucci that she dedicated the whole campaign attempting to persuade people that she became functionally Italian for a year and a half in preparation.

Additionally, there is Jared Leto, who decided to deeply embed himself into the role of the Joker (for Suicide Squad) by sending “disturbing” presents to his castmates. These, depending on who you ask, included dead pigs and rats to anal beads and personal hygiene products, though the actor refuted the most extreme claims. Then, naturally, there is Jim Carrey, who went so deep into Andy Kaufman for Man on the Moon that filmmakers literally managed in creating a feature-length documentary from behind-the-scenes footage of him making life to the utmost for his colleagues.

The Modern Method Practitioners

The foremost Method Guy currently seems to be Jeremy Strong (once an assistant to Day-Lewis), whose approach during Succession was so rigorously detailed that it became the subject of a derisive magazine feature, full of quotes from individuals who were either concerned about his conduct (“The toll to himself that worries me,” said co-star Brian Cox) or extremely irritated by it (“I recall him causing others roll their eyes,” stated an unnamed co-star).

The actor claims he ‘did not plan to stop acting, really’

We have numerous additional cases. Andrew Garfield went celibate over half a year for Silence. Leonardo DiCaprio rested inside a dead animal for The Revenant. There’s a fighting chance that actor Austin Butler continues to talk like Elvis Presley, three years after that film came out. Each of these instances, to some extent, is meant to invoke the seriousness in which Day-Lewis approaches his craft.

An Admirable Yet Challenging Fight

Moreover, although his rebuttal against method detractors might be noble, a brief promotional cycle may prove insufficient to change anyone’s mind, let alone their practices. Maybe if he wants to make audiences recall what method acting is, or to demonstrate its potential results, then Day-Lewis’s best bet is to just start making additional movies. Certainly everyone would support that idea.

Written by

Randy Murphy MD

A technology journalist and digital strategist with over a decade of experience covering emerging tech trends and their impact on society.

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